True musicians, much underrated...
Was reminded by someone recently that Celine Dion was a great musician because she recorded the theme from Titanic (yeah, the completely over-played hackneyed 'oirishy' thing) in one take. This shows how standards have dropped in the world of music (well, big-label corporate productions anyway), as by that definition your local wedding band are also great, as they can get things right in one take. In fact, it can also be called 'playing live', a much-maligned skill now that EMI, SONY and so on are prepared to recruit people for their looks, not for their ability. This is possible because any moron can sing a tune if given 5 million attempts at it, lots of reverb, and sound engineers able to use pitch correction software afterwards. I myself can also get things right in one take: Every time I play the oboe solo in Krommer's Octet, it is in a live setting, with lots of attentive ears listening for blemishes, and I have to get it right, as it is live. I somehow manage to do so. Therefore I must be some kind of genius... Well, I'm not. I'm just a competent musician. Such a performance is to be expected from a professionally trained musician. Imagine if you could only make a cup of tea after 15 attempts, and someone else had to edit in half a cup of tea afterwards to correct for the addition of too much milk? Would this be acceptable? Well, it would if the customer was not aware of the problem, and was prepared to buy 10 million copies of the tea because it was in a beautifully presented, highly attractive, and very expensive cup, I suppose... Looks like I've answered my own question here. Depressing, isn't it?
2 Comments:
Ian, first of all, you're not working hard enough as you apperently have time to blog.
Secondarily, I strongly agree with your general view of musicianship, live (YES LIVE) music, etc.
I do not agree regarding mistakes during performance though. The trick is to make the mistakes sound interesting (He or She did a great Personal Interpretation of xxx's work).
OTH, as a composer (are composer's failed musicians?), making mistakes sometimes gives you new ideas that you'd never had thought of.
BACK TO WORK NOW!
True, if a mistake is made in a live performance, how you cover it up is part of the musician's skillset. If, for example, a mistake is made in a repeated section of a piece, be sure to repeat the mistake also, as then everyone else will think it was supposed to sound like that. Also, do not screw up your face in horror, or swear, or react in any way. Just pretend nothing happened. If it is VERY obvious, look at the musician beside you with evident distaste, and misdirect the criticism!
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